Piano Sheets > Norman Greenbaum Sheet Music > Spirit in the Sky (ver. 1) Piano Sheet

Spirit in the Sky (ver. 1) by Norman Greenbaum - Piano Sheets and Free Sheet Music

  
About the Song
"Spirit in the Sky" is a song written and originally recorded[1] by Norman Greenbaum and released in 1969. The single sold 2 million copies in 1969 and 1970 and got to number 3 in the U.S. Billboard chart, as well as number 1 on the UK, Australian and Canadian charts in 1970. Rolling Stone ranked "Spirit in the Sky" #333 on their list of the 500 Greatest Songs of All Time. The song was featured on the 1969 album of the same name. Cover versions by Doctor and the Medics and Gareth Gates have also made the number 1 spot in the UK. Greenbaum had previously been a member of psychedelic jug band Dr. West's Medicine Show and Junk Band. When they split up he won a solo contract with producer Erik Jacobsen, who had previously worked successfully with The Lovin' Spoonful. He was inspired to write the song after watching Porter Wagoner on TV singing a gospel song. Greenbaum later said : "I thought,.    Download this sheet!
About the Artist
Norman Greenbaum (born November 20, 1942, Malden, Massachusetts, United States) is a singer-songwriter. He studied music at Boston University. Greenbaum is best known for his song "Spirit in the Sky", which sold two million copies across 1969 and 1970.[1] This disc sold over one million by May 1970 alone, and received a gold disc awarded by the R.I.A.A..[1] The song, with its combination of 'heavy' guitar, hand-clapping, and spiritual lyrics, was a one-hit wonder. The song has been used in many films, advertisements, and television shows. Greenbaum is notable for the rare achievement of having recorded two one-hit wonders. In 1968, under the name Dr. West's Medicine Show and Junk Band, he recorded the novelty hit "The Eggplant That Ate Chicago". Greenbaum had a second song in the charts in 1970. "Canned Ham" reached #26 in Canada and #46 in the USA. His last chart hit in America was "California Earthquake", which reached #93 in 1971. Greenbaum used Crossfire as a backing band in '73/'74, which included Mitchell Froom and Gary Pihl. Another group, Doctor and the Medics, became a one-hit wonder of sorts with their version of "Spirit in the Sky" in.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)