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Missing You (ver. 1) by John Waite - Piano Sheets and Free Sheet Music

  
About the Song
"Missing You" is a song by British musician John Waite and was included in the album No Brakes. The song was a classic in the 80's. It peaked at number one on the Billboard Hot 100 for one week on September 22, 1984, and number nine on the UK Singles Chart. John Waite re-recorded the song with country/bluegrass artist Alison Krauss which appeared on her album A Hundred Miles or More: A Collection, and released it to country music radio in 2007. The re-recording peaked at #34 on the Hot Country Songs chart. It was also featured in the popular 80s inspired video game Grand Theft Auto: Vice City. This song was also recorded by Tina Turner in 1996, and was released as the third single from the album Wildest Dreams. Interestingly, when Waite's original version of "Missing You" topped Billboard's Hot 100 in late 1984, the song that it knocked out of the top spot was none other than Tina Turner's.    Download this sheet!
About the Artist
John Waite (born John Charles Waite, 4 July 1952, Lancaster, Lancashire, England) is a rock singer and musician. He was the lead vocalist for the bands The Babys and Bad English. As a solo artist, he scored a #1 hit in the United States with "Missing You" in 1984. Waite first came to attention as the lead singer and bassist of The Babys, a British group which had moderate chart success and a solid following for their concert tours. Over the course of five years, the Babys produced five albums ending with the final album On the Edge in October 1980, after which the group broke up. Waite subsequently launched his solo career with his 1982 debut album Ignition, which produced the hit single "Change". The Chrysalis 45 failed to chart on Billboard's Hot 100 during its initial release but was a top track on AOR (Album-Oriented Rock) radio stations as well as a very popular music video on MTV as the 'new' cable channel celebrated its first full year of operation. The pulsating track was written by Holly Knight and later included on the Vision Quest soundtrack. "Going To The Top" was released as the follow-up single to "Change". "Missing You" is a song by.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)