Piano Sheets > Anthony Newley Sheet Music > Who Can I Turn To? (ver. 1) Piano Sheet

Who Can I Turn To? (ver. 1) by Anthony Newley - Piano Sheets and Free Sheet Music

  
About the Song
"Who Can I Turn To?" is a popular song. It was written by Leslie Bricusse and Anthony Newley and published in 1964. The song was introduced in the musical The Roar of the Greasepaint—the Smell of the Crowd, which struggled in the United Kingdom in 1964 and then made a tour of the United States later that year. Recorded by Tony Bennett, "Who Can I Turn To?" became a hit, reaching number 33 on the U.S. pop singles chart and the top 5 of the Adult Contemporary chart. So fueled, the musical arrived on Broadway for a successful run, and the song became one of Bennett's staples. American tenor Jan Peerce recorded "Who Can I Turn To?" for his 1965 album Pop Goes Peerce. Dionne Warwick covered the song, as did Astrud Gilberto. The Astrud Gilberto recording was sampled in the Black Eyed Peas song "Like That" from their album "Monkey Business". Anthony George Newley (24 September 1931 – 14.    Download this sheet!
About the Artist
Anthony George Newley (24 September 1931 – 14 April 1999), was an English actor, singer and songwriter. Anthony Newley was an actor, singer, and composer with an international following, equally adept and prodigious in all three fields. Moreover, he enjoyed success as a performer in such seemingly mutually exclusive fields as rock & roll and the legitimate stage. Born to a single mother in the London working class neighbourhood of Hackney, Newley was evacuated during the Luftwaffe bombing of London during The Blitz and was thereby exposed to the performing arts when he was tutored during this time by George Pescud, a former British music hall entertainer. Though recognized as very bright by his teachers back in London, he was uninterested in school, and by the age of fourteen was working as an office boy for an insurance company when he read an ad in the Daily Telegraph headed "Boy Actors Urgently Wanted". He applied to the advertisers, the prestigious Italia Conti Stage School, only to discover that the fees were too high. Nevertheless, after a brief audition, he was offered a job as an office boy on a salary of only 30 shillings (£1.50).
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