Piano Sheets > Horace Silver Sheet Music > Moonrays (ver. 1) Piano Sheet

Moonrays (ver. 1) by Horace Silver - Piano Sheets and Free Sheet Music

  
About the Song
   Other avaliable versions of this music sheet: Version 1  Version 2  
How to enhance sight-reading for piano sheet music If you want to learn how to play, the piano in a live performance impromptu then you need to improve your sight-reading of sheet music. Chances are you will have to play music notes, which are unfamiliar. Picking it at random One of the best ways to enhance your sight-reading of piano notes is to pick any book randomly and start playing. Ideally, you want to start playing these musical notes from the first page and continue until you reach the very end. The trick is to be stern with yourself and not stop playing until you reach the last page of the sheet music.  (More...)    Download this sheet!
About the Artist
Horace Silver (born September 2, 1928), born Horace Ward Martin Tavares Silva[1] in Norwalk, Connecticut, is an American jazz pianist and composer. His father, who was known as John Tavares Silva, was from the island of Maio in Cape Verde. His mother was born in New Canaan, Connecticut and was of Irish-African descent. Silver is known for his distinctive humorous and funky playing style and for his pioneering compositional contributions to hard bop. Silver was influenced by a wide range of musical styles, notably gospel music, African music, and Latin American music and sometimes ventured into the soul jazz genre. Silver began his career as a tenor saxophonist but later switched to piano. His tenor saxophone playing was highly influenced by Lester Young, and his piano style by Bud Powell. Silver was discovered in the Sundown Club in Hartford, Connecticut in 1950 by saxophonist Stan Getz. Getz was playing at the club with Silver’s trio backing him up. Getz liked Silver’s band and brought them on the road, eventually recording three of Silver’s compositions. It was Getz with whom Silver made his recording debut. He moved to New York City in 1951, where he worked at the jazz club Birdland on Monday nights, when different musicians would come together and informally jam. During that year he met the executives of the label Blue Note while working as a sideman. He eventually signed with them where he remained until 1980. It was in New York that he formed The Jazz Messengers, a co-operatively run group with Art Blakey.
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How to enhance sight-reading for piano sheet music If you want to learn how to play, the piano in a live performance impromptu then you need to improve your sight-reading of sheet music. Chances are you will have to play music notes, which are unfamiliar. Picking it at random One of the best ways to enhance your sight-reading of piano notes is to pick any book randomly and start playing. Ideally, you want to start playing these musical notes from the first page and continue until you reach the very end. The trick is to be stern with yourself and not stop playing until you reach the last page of the sheet music.  (More...)