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Forever (ver. 1) by Chris Brown - Piano Sheets and Free Sheet Music

  
About the Song
"Forever" is a song by American R&B singer Chris Brown. Produced by Polow da Don, it is the first single from the repackaged Exclusive: Forever Edition, and is the fifth overall single by Brown from his second studio album, Exclusive with backing uncredited vocals from Keri Hilson. Initially created to be used for Doublemint gum, "Forever" was a top 10 hit in various countries. On November 25, the official remix leaked featuring Lil' Wayne & Lupe Fiasco. The song was written by Brown and his songwriting team, the Graffiti Artists (Rob Allen and Andre Merritt). He stated that after entering the studio, Polow da Don created a beat that Brown wrote along to. Because the producer's style was "more of a European, techno, house-type feel,"[1] the group "wanted to give it that other side of crossover, and go a little bit to that pop realm". Christopher Maurice Brown (born May 5; 1989) is a.    Download this sheet!
About the Artist
Christopher Maurice Brown (born May 5; 1989) is a Grammy-nominated American R&B and pop singer-songwriter; dancer; music video director and actor. He made his recording debut in late 2005 with Chris Brown at the age of 16. The album featured the hit single "Run It!"; which topped the Billboard Hot 100; making Brown the first male artist to have his debut single to top the chart. The album sold two million copies in the United States and was subsequently certified multi-platinum by the RIAA.Brown's second studio album; Exclusive was released worldwide in November 2007. "Forever" is a song by American R&B singer Chris Brown. Produced by Polow da Don, it is the first single from the repackaged Exclusive: Forever Edition, and is the fifth overall single by Brown from his second studio album, Exclusive with backing uncredited vocals from Keri Hilson. Initially created to be used for Doublemint gum, "Forever" was a top 10 hit in various countries. On November 25, the official remix leaked featuring Lil' Wayne & Lupe Fiasco. The song was written by Brown and his songwriting team, the Graffiti Artists (Rob Allen and Andre Merritt). He stated that after.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)