Piano Sheets > Dizzy Gillespie Sheet Music > Con Alma (ver. 1) Piano Sheet

Con Alma (ver. 1) by Dizzy Gillespie - Piano Sheets and Free Sheet Music

  
About the Song
   Other avaliable versions of this music sheet: Version 1  Version 2  
Con Alma is a jazz standard written by Dizzy Gillespie. It incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody. Versions have been recorded by Oscar Peterson, Wes Montgomery, Ed Bickert, Stan Getz and Kenny Burrell. The song was recorded by Chaka Khan in 1982 as part of the "Be Bop Medley" from her album "Chaka Khan". John Birks "Dizzy" Gillespie (October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, singer, and composer. He was born in Cheraw, South Carolina, the youngest of nine children. Dizzy's father, James, was a local bandleader, so instruments were made available to Dizzy. He started to play the piano at the age of 4. Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz. In addition to.    Download this sheet!
About the Artist
John Birks "Dizzy" Gillespie (October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, singer, and composer. He was born in Cheraw, South Carolina, the youngest of nine children. Dizzy's father, James, was a local bandleader, so instruments were made available to Dizzy. He started to play the piano at the age of 4. Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz. In addition to featuring in these epochal moments in bebop, he was instrumental in founding Afro-Cuban jazz, the modern jazz version of what early-jazz pioneer Jelly Roll Morton referred to as the "Spanish Tinge". Gillespie was a trumpet virtuoso and gifted improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. In addition to his instrumental skills, Dizzy's beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop. He had an enormous impact on subsequent trumpeters, both by the example of his playing and as a mentor to younger musicians. Con Alma is.
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