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My Heart Will Go On (ver. 2) by Titanic - Piano Sheets and Free Sheet Music

About the Song
"My Heart Will Go On" is the theme song of the 1997 blockbuster film Titanic. With music by James Horner, lyrics by Will Jennings, with background vocals by Skyler Jett and produced by Walter Afanasieff, was recorded by Cline Dion. Originally released in 1997 on Dion's album Let's Talk About Love, it went to number 1 all over the world, including the United States, United Kingdom and Australia. My Heart Will Go On was released in Australia and Germany on December 8, 1997, and in the rest of the world in January and February of 1998. It became one of the best-selling singles of all time, and was the world's best selling single of 1998. Titanic is a 1997 American romantic film directed, written, co-produced and co-edited by James Cameron about the sinking of the RMS Titanic. It features Kate Winslet as Rose DeWitt Bukater, and Leonardo DiCaprio as Jack Dawson, two members of different social.    Download this sheet!
About the Artist
Titanic is a 1997 American romantic film directed, written, co-produced and co-edited by James Cameron about the sinking of the RMS Titanic. It features Kate Winslet as Rose DeWitt Bukater, and Leonardo DiCaprio as Jack Dawson, two members of different social classes who fall in love aboard the ill-fated voyage of the ship. The main characters and the central love story are fictional, but some characters (such as members of the ship's crew) are based on real historical figures. Gloria Stuart plays the elderly Rose, who narrates the film in a modern day framing device. Production of the film began in 1995, when Cameron shot footage of the real wreck of the RMS Titanic. He envisioned the love story as a means to engage the audience with the real-life tragedy. Shooting took place at the Akademik Mstislav Keldysh - which aided Cameron in filming the real wreck for the modern scenes, and a reconstruction of the ship was built at Playas de Rosarito, Baja California. Cameron also used scale models and computer-generated imagery to recreate the sinking. Titanic became at the time the most expensive film ever made, costing approximately US$200 million with.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)