Piano Sheets > Julie Andrews Sheet Music > Sound Of Music Climb Every Mountain - The (ver. 1) Piano Sheet

Sound Of Music Climb Every Mountain - The (ver. 1) by Julie Andrews - Piano Sheets and Free Sheet Music

  
About the Song
"Climb Ev'ry Mountain" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Here it is sung at the close of the first act by the Mother Abbess. It is themed as an inspirational piece, to encourage people to take every step towards attaining one's dreams. This song shares inspirational overtones with the song You'll Never Walk Alone from Carousel. They are both sung by the earth mother characters in the shows, and are used to give strength to the protagonists in the story, and both are given powerful reprises at the end of their respective shows. However, as Oscar Hammerstein II was writing the lyrics, it developed its own inspirational overtones along the lines of an earlier Hammerstein song, There's a Hill Beyond a Hill. He felt that the metaphors of climbing mountains and fording streams better fitted Maria's quest for her spiritual compass. However, the muse.    Download this sheet!
About the Artist
Dame Julie Elizabeth Andrews, DBE (born Julia Elizabeth Wells on 1 October 1935) is an award-winning English actress, singer, author and icon. She is the recipient of Golden Globe, Emmy, Grammy, BAFTA, People's Choice Award, Theatre World Award, Screen Actors Guild and Academy Award honours. Andrews was a former British child actress and singer who first came to Broadway in 1954 with The Boy Friend, and rose to prominence starring in other musicals such as My Fair Lady and Camelot, and in musical films such as Mary Poppins (1964) and The Sound of Music (1965): the roles for which she is still best known. Andrews had a major revival of her film career in the 2000s, in family films such as The Princess Diaries (2001), its sequel The Princess Diaries 2: Royal Engagement (2004), and the Shrek animated films (2004-2007). In 2005 Andrews revisited her first Broadway success, this time as a stage director, with a revival of The Boy Friend at a theatre in Connecticut. Andrews is also an author of children's books, and in 2008 she published an autobiography, Home: A Memoir of My Early Years. "Climb Ev'ry Mountain" is a show tune from the 1959 Rodgers and.
Random article
Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)