Piano Sheets > Quincy Jones Sheet Music > For Lena And Lennie (ver. 1) Piano Sheet

For Lena And Lennie (ver. 1) by Quincy Jones - Piano Sheets and Free Sheet Music

  
About the Song
For Lena and Lennie is the fifth track from The Quintessence, an album released by Quincy Jones and his orchestra. It was released in 1961, his only album on the Impulse! Records jazz label. It has been called "the sound of the modern, progressive big band at its pinnacle." The album contains three Jones originals and 5 covers. The album was a continuation of Jones' Free and Easy Broadway show, and featured a similar big band personnel he assembled in New York for the show's initial European dates. Quincy Delight Jones, Jr. (born March 14, 1933), is an American music conductor, record producer, musical arranger, film composer and trumpeter. During five decades in the entertainment industry, Jones has earned a record 79 Grammy Award nominations, 27 Grammys, including a Grammy Legend Award in 1991. He is best known as the producer of the album Thriller, by pop icon Michael Jackson, which has sold.    Download this sheet!
About the Artist
Quincy Delight Jones, Jr. (born March 14, 1933), is an American music conductor, record producer, musical arranger, film composer and trumpeter. During five decades in the entertainment industry, Jones has earned a record 79 Grammy Award nominations, 27 Grammys, including a Grammy Legend Award in 1991. He is best known as the producer of the album Thriller, by pop icon Michael Jackson, which has sold 104 million copies worldwide, and as the producer and conductor of the charity song We Are the World. He is also well known for his popular 1962 song "Soul Bossa Nova", which originated on the Big Band Bossa Nova album. In 1968, Jones and his songwriting partner Bob Russell became the first African-Americans to be nominated for an Academy Award in the "Best Original Song" category. That same year, he became the first African-American to be nominated twice within the same year when he was nominated for "Best Original Score" for his work on the music of the 1967 film In Cold Blood. In 1971 Jones would receive the honor of becoming the first African American to be named musical director/conductor of the Academy Awards ceremony. Jones was also the first.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)