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Fancy (ver. 1) by Reba McEntire - Piano Sheets and Free Sheet Music

  
About the Song
"Fancy" is a song written and originally performed by Bobbie Gentry in 1969. The song depicts its heroine's overcoming poverty to become a successful courtesan. Other than Gentry's, the best known version of the song was recorded in 1990 by country music artist Reba McEntire for her Rumor Has It album. McEntire had a Top Ten country hit with her cover of the song in 1991. Reba Nell McEntire (born March 28, 1955) is an American country music artist and actress. She began her career in the music industry singing with her siblings on local radio shows and at rodeos. As a solo act, she was invited to perform at a rodeo in Oklahoma City, which caught the attention of country artist Red Steagall. He brought her to Nashville, Tennessee, where she eventually signed a contract with Mercury Records in 1975. She released her first solo album in 1977 and released five additional studio albums under the label.    Download this sheet!
About the Artist
Reba Nell McEntire (born March 28, 1955) is an American country music artist and actress. She began her career in the music industry singing with her siblings on local radio shows and at rodeos. As a solo act, she was invited to perform at a rodeo in Oklahoma City, which caught the attention of country artist Red Steagall. He brought her to Nashville, Tennessee, where she eventually signed a contract with Mercury Records in 1975. She released her first solo album in 1977 and released five additional studio albums under the label until 1983. Signing with MCA Nashville Records, McEntire took creative control over her second MCA album, My Kind of Country (1984), which had a more traditional country sound and produced two number one singles: "How Blue" and "Somebody Should Leave". The album brought her breakthrough success, bringing her a series of successful albums and number one singles in the 1980s and 1990s. McEntire has since released 26 studio albums, acquired 35 #1 singles, and 28 albums have been certified Gold, Platinum or Multi-Platinum in sales by the Recording Industry Association of America. In the early 1990s, McEntire branched into film.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)