Piano Sheets > Mitchell Parish Sheet Music > Moonlight Serenade (ver. 1) Piano Sheet

Moonlight Serenade (ver. 1) by Mitchell Parish - Piano Sheets and Free Sheet Music

  
About the Song
"Moonlight Serenade" is an American popular song with original music by Glenn Miller and subsequent lyrics by Mitchell Parish. When Miller recorded "Sunrise Serenade" in 1939, he placed this song on the back. The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939. It was the no.5 top pop hit of 1939 on Billboard. Glenn Miller had 5 records in the top 20 songs of 1939 on Billboard's list. In the UK, "Moonlight Serenade" was released as the A side of a 78 on His Master's Voice with "American Patrol" as the B side. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller's signature tune. In 1991, the recording of "Moonlight Serenade", released on RCA Bluebird in 1939 as Bluebird B-10214-B by Glenn Miller and His Orchestra, was inducted into the Grammy Hall of Fame. The most striking part.    Download this sheet!
About the Artist
Mitchell Parish (July 10, 1900 – March 31, 1993) was an American lyricist. Parish was born Michael Hyman Pashelinsky to a Jewish family in Lithuania. His family emigrated to the United States, arriving on February 3, 1901 on the SS Dresden when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City. By the late 1920s Parish was a well regarded Tin Pan Alley lyricist in New York City. "Moonlight Serenade" is an American popular song with original music by Glenn Miller and subsequent lyrics by Mitchell Parish. When Miller recorded "Sunrise Serenade" in 1939, he placed this song on the back. The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939. It was the no.5 top pop hit of 1939 on Billboard. Glenn Miller had 5 records in the top 20 songs of 1939 on Billboard's list. In the UK, "Moonlight Serenade" was released as the A side of a 78 on His Master's Voice with "American Patrol" as the B side. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller's.
Random article
Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)