Piano Sheets > Sigmund Romberg Sheet Music > Softly, As In A Morning Sunrise (ver. 1) Piano Sheet

Softly, As In A Morning Sunrise (ver. 1) by Sigmund Romberg - Piano Sheets and Free Sheet Music

  
About the Song
Softly, As in a Morning Sunrise is a song with music by Sigmund Romberg and Oscar Hammerstein II from the 1928 operetta The New Moon. One of the best-known numbers from the show, it is a song of bitterness and yearning for a lost love, sung in the show by Philippe (tenor), the best friend of the hero, Robert Mission (baritone). The original song was composed as a tango, and features a dance as accompaniment to the choral reprise, but many versions of the song have changed the tempo completely (there have been several jazz renditions). What some may consider the most ludicrous version is the one featured in the 1940 film version of the operetta, in which it is actually sung as a cheerful ditty by Nelson Eddy while he shines his shoes, despite the melancholy nature of the song's lyric. Sigmund Romberg, born Zsigmond Romberg (July 29, 1887, – November 9, 1951), was an American composer best.    Download this sheet!
About the Artist
Sigmund Romberg, born Zsigmond Romberg (July 29, 1887, – November 9, 1951), was an American composer best known for his operettas. Romberg was born to a Jewish family in the West-Hungarian provincial town of Nagykanizsa during the Austro-Hungarian K.u.K. Monarchy period. He went to Vienna to study engineering, but also took composition lessons while there. He moved to the United States in 1909 and, after a brief stint working in a pencil factory, was employed as a pianist in cafés. He eventually founded his own orchestra and published a few songs, which, despite their limited success, brought him to the attention of the Shubert brothers, who in 1914 hired him to write music for their Broadway theatre shows. That year he wrote his first successful Broadway revue, The Whirl of the World. Romberg's adaptation of melodies by Franz Schubert for Blossom Time (1921, produced in the UK as Lilac Time) was a great success. He subsequently wrote his best-known operettas, The Student Prince (1924), The Desert Song (1926) and The New Moon (1928), which are in a style similar to the Viennese operettas of Franz Lehár. He also wrote Rosalie (1928).
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