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Fuck You (ver. 1) by Lily Allen - Piano Sheets and Free Sheet Music

  
About the Song
"Fuck You" (also known as the working title "Guess Who Batman") is a song by English singer Lily Allen from her second album It's Not Me, It's You. It is her third international single. This is Allen's first single that did not receive a commercial release in her home country. The song originally appeared on Allen's Myspace page in 2008 alongside the songs "I Could Say" and "I Don't Know" ( now known as "The Fear" ) under the title "Guess Who Batman", despite its titular reference to the caped crusader, the track was originally inspired by the right-wing British National Party. The song was written by Lily Allen and Greg Kurstin. Lily Rose Beatrice Allen (born 2 May 1985) is an English pop music singer and songwriter. Known for her songs "Smile", "LDN", her cover of "Oh My God" by British act The Kaiser Chiefs, "The Fear", "Fuck You" and her Mockney style, Allen is the daughter of actor and.    Download this sheet!
About the Artist
Lily Rose Beatrice Allen (born 2 May 1985) is an English pop music singer and songwriter. Known for her songs "Smile", "LDN", her cover of "Oh My God" by British act The Kaiser Chiefs, "The Fear", "Fuck You" and her Mockney style, Allen is the daughter of actor and musician Keith Allen and film producer Alison Owen. From 12 February 2008 Allen hosted her own BBC Three talk show Lily Allen and Friends. Her single "Smile" reached number one on the UK Singles Chart in July 2006. In December 2006, her debut album Alright, Still was voted the third best album of the year by Mixmag. In 2007, it was nominated for the award of Best British Album at the BRIT Awards and for Best New Artist at the 2007 MTV Video Music Awards. "Fuck You" (also known as the working title "Guess Who Batman") is a song by English singer Lily Allen from her second album It's Not Me, It's You. It is her third international single. This is Allen's first single that did not receive a commercial release in her home country. The song originally appeared on Allen's Myspace page in 2008 alongside the songs "I Could Say" and "I Don't Know" ( now known as "The Fear" ) under the title "Guess.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)