Piano Sheets > Justin Hayward Sheet Music > Nights In White Satin (ver. 1) Piano Sheet

Nights In White Satin (ver. 1) by Justin Hayward - Piano Sheets and Free Sheet Music

  
About the Song
"Nights in White Satin" is a 1967 single by The Moody Blues, first featured on the album Days of Future Passed. "Nights In White Satin" was not a popular song when first released, mainly due to its over seven-minute length. There are two edited versions of the song, both stripped of the orchestra and poetry from the LP version. The first version, with the songwriter's credit shown as "Redwave", was a hasty sounding 3:06 edit of the main song with very noticeable chopped parts. For the second edited version (now credited to Justin Hayward), the main track was kept intact, ending at 4:26. Both versions were backed with a non-LP release, "Cities". The song was re-released in 1972 after the success of such longer-running dramatic songs as "Hey Jude" and "Layla", and it charted at #2 on Billboard magazine and #1 on Cash Box in the United States, earning a gold single for sales of a million copies and.    Download this sheet!
About the Artist
David Justin Hayward (born 14 October 1946, in Swindon, Wiltshire) is an English musician, best known as a singer, guitarist and composer in the rock band The Moody Blues. Hayward attended The Commonweal School, in Swindon, Wiltshire.[1] In 1965, Hayward worked with Marty Wilde and his wife in The Wilde Three. Aged 17, he signed a publishing contract with the skiffle artist and record producer, Lonnie Donegan - a move that Hayward later regretted as it meant that the rights to all his songs written before 1974 would always be owned by Donegan's Tyler Music. He lives in France and Cornwall. His hobbies are horse riding and strolling along the Cornish Coast. "Nights in White Satin" is a 1967 single by The Moody Blues, first featured on the album Days of Future Passed. "Nights In White Satin" was not a popular song when first released, mainly due to its over seven-minute length. There are two edited versions of the song, both stripped of the orchestra and poetry from the LP version. The first version, with the songwriter's credit shown as "Redwave", was a hasty sounding 3:06 edit of the main song with very noticeable chopped parts. For the second.
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