Piano Sheets > Rushton Moreve Sheet Music > Magic Carpet Ride (ver. 1) Piano Sheet

Magic Carpet Ride (ver. 1) by Rushton Moreve - Piano Sheets and Free Sheet Music

  
About the Song
"Magic Carpet Ride" is a rock song written by John Kay and Rushton Moreve from the band Steppenwolf. The song was initially released on the album Steppenwolf the Second. It was the lead single from that album, peaking at #3 in the US, and becoming the band's second-biggest hit, surpassed only by "Born to Be Wild". The single version differs noticeably from the album version with a different vocal take by Kay used for the first verse of the song and differing instrumental balances. The single version is also much shorter than the album version, with a running time of 2 minutes and 55 seconds (the album version is 4 minutes and 27 seconds long). Mother's Finest recorded an up-tempo Funk-Rock version of Magic Carpet Ride on their 1979 Live album. Pop artist Myra recorded a cover of the song with a Latin twist for the album "La Vida Mickey." Rushton Moreve (born John Russell Morgan; November 6,.    Download this sheet!
About the Artist
Rushton Moreve (born John Russell Morgan; November 6, 1948 – July 1, 1981) was an American bass guitarist best known for his work with the rock band Steppenwolf from 1967–69 and again in 1978. According to singer John Kay, Moreve was an intuitive bassist with a melodic style that brought a non-commercial sound to Steppenwolf, a technique exemplified on the hit he co-wrote with Kay, "Magic Carpet Ride". Moreve's early influence was essential in creating the unique musical style for which Steppenwolf became famous. Moreve joined the band in 1967 and performed on their debut album, Steppenwolf, which was composed of covers and songs written by Kay. Moreve's influence was heavier on the follow-up, The Second, his final album with Steppenwolf. He split with the band in 1969 when he refused to fly back to California, fearing it would sink into the Pacific Ocean. Moreve was killed in 1981 in a motorcycle accident. Moreve joined the band in 1967, having responded to a "Bass Player Wanted" notice posted at Wallich's Music City at Vine and Sunset. One of Steppenwolf's most popular songs was "Magic Carpet Ride", a song that evolved out of.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)