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Mama Told Me Not To Come (ver. 1) by Randy Newman - Piano Sheets and Free Sheet Music

About the Song
"Mama Told Me Not to Come" is a song by Randy Newman written for Eric Burdon's first solo album in 1966. Newman says that it is a lighthearted reflection on the Los Angeles music scene in the late 1960s. He recounts a wild party, and uses the lyrics to convey a sense of excitement and confusion. The song is loaded with the black humour, sarcasm, and double entendre that made Newman famous. Among other topics, he makes thinly veiled references to drugs, alcohol, and sex. The first recording of "Mama Told Me Not to Come" was made by Eric Burdon & The Animals. A scheduled single-release of September 1966 was withdrawn [1] but the song was eventually included on their 1967 album Eric Is Here. [2] Randall Stuart “Randy” Newman (born November 28, 1943) is an American singer/songwriter,[1] arranger, composer, and pianist who is notable for his mordant (and often satirical) pop songs and.    Download this sheet!
About the Artist
Randall Stuart “Randy” Newman (born November 28, 1943) is an American singer/songwriter,[1] arranger, composer, and pianist who is notable for his mordant (and often satirical) pop songs and for his many film scores. Newman is noted for his practice of writing lyrics from the perspective of a character far removed from Newman's own biography, often using the literary device of an unreliable narrator. For example, the 1972 song "Sail Away" is written as a slave trader's sales pitch to attract slaves, while the narrator of "Political Science" is a U.S. nationalist who complains of worldwide ingratitude toward America and proposes a brutally ironic final solution. One of his biggest hits, "Short People" was written from the perspective of "a lunatic"[2] who hates short people. Since the 1980s, Newman has worked mostly as a film composer. His film scores include Ragtime, Awakenings, The Natural, Leatherheads, James and the Giant Peach, Meet the Parents and Seabiscuit. He has scored five Disney-Pixar films: Toy Story, A Bug's Life, Toy Story 2, Monsters, Inc. and Cars, and is set to return for Toy Story 3 and Cars 2. He has been singled out.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)