Piano Sheets > Barry Gibb Sheet Music > Love So Right (ver. 1) Piano Sheet

Love So Right (ver. 1) by Barry Gibb - Piano Sheets and Free Sheet Music

  
About the Song
Love So Right is a R&B/Pop ballad by family group the Bee Gees in the 1976. Love So Right hit number three on the U.S Billboard Hot 100 chart. Also on the U.S. Billboard Adult Contemporary chart. In addition, it was a minor hit on the U.S. Billboard Black Singles chart, peaking at number 27. Barry Alan Crompton Gibb CBE (born 1 September 1946) is a singer, songwriter and producer. He was born in the Isle of Man, to English parents. With his brothers Robin and Maurice, he formed the Bee Gees, one of the most successful pop groups of all time. The trio got their start in Australia, and found their major success when they returned to England. He is known for his high-pitched falsetto singing voice. Gibb holds the record for consecutive Hot 100 Number Ones as a writer with 6. According to britishhitsongwriters.com he is the fourth most successful songwriter in U.K. singles chart history based on.    Download this sheet!
About the Artist
Barry Alan Crompton Gibb CBE (born 1 September 1946) is a singer, songwriter and producer. He was born in the Isle of Man, to English parents. With his brothers Robin and Maurice, he formed the Bee Gees, one of the most successful pop groups of all time. The trio got their start in Australia, and found their major success when they returned to England. He is known for his high-pitched falsetto singing voice. Gibb holds the record for consecutive Hot 100 Number Ones as a writer with 6. According to britishhitsongwriters.com he is the fourth most successful songwriter in U.K. singles chart history based on weeks that his compositions have spent on the chart (his brother Robin being the fifth).[1] Born Barry Alan Crompton Gibb to Barbara (née Pass) and Hugh Gibb in the Isle of Man. The second-born of five children, he has an older sister, Lesley (b. 1945), and three younger brothers, twins Maurice and Robin (b. 1949), and Andrew (b. 1958). In late 1958, his family moved to Brisbane, Australia, settling in one of the city's poorest suburbs, Cribb Island, which was subsequently obliterated to make way for Brisbane Airport. Barry Gibb married a former.
Random article
Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)