Piano Sheets > Floyd Cramer Sheet Music > Last Date (ver. 1) Piano Sheet

Last Date (ver. 1) by Floyd Cramer - Piano Sheets and Free Sheet Music

  
About the Song
Last Date was a live Emmylou Harris album, released in 1982. Recorded at a series of honky tonks and other small venues on the west coast, Harris conceived the album as a showcase for her Hot Band. It was composed mostly of country standards. Harris reached #1 on the U.S. country charts with the title single, written by Floyd Cramer, who originally took it to the top ten on the U.S. pop and country charts, as an instrumental in 1960. In 2000, Eminent Records reissued Last Date for the first time on CD, complete with new liner notes and two bonus tracks. Floyd Cramer (October 27, 1933 – December 31, 1997) was an American Hall of Fame pianist who was one of the architects of the "Nashville Sound." He popularized the 'slip note' piano style where one note slides effortlessly into the next. This was a major departure from the percussive piano style which was popular in the late 1950s. Born in.    Download this sheet!
About the Artist
Floyd Cramer (October 27, 1933 – December 31, 1997) was an American Hall of Fame pianist who was one of the architects of the "Nashville Sound." He popularized the 'slip note' piano style where one note slides effortlessly into the next. This was a major departure from the percussive piano style which was popular in the late 1950s. Born in Shreveport, Louisiana, Cramer grew up in the small town of Huttig, Arkansas, teaching himself to play the piano. After finishing high school, he returned to Shreveport, where he worked as a pianist for the Louisiana Hayride radio show. After Cramer relocated permanently to Nashville, Allen "Puddler" Harris, a native of Franklin Parish in northeastern Louisiana, replaced him as the pianist for the Hayride. In 1953 Floyd Cramer entered the recording studio and cut his first single, "Dancin' Diane", backed with "Little Brown Jug", for the local Abbott label. He then toured with an emerging talent who would later figure significantly in his career, Elvis Presley. [1] Last Date was a live Emmylou Harris album, released in 1982. Recorded at a series of honky tonks and other small venues on the west coast, Harris.
Random article
Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)