Piano Sheets > Carl Perkins Sheet Music > Blue Suede Shoes (ver. 1) Piano Sheet

Blue Suede Shoes (ver. 1) by Carl Perkins - Piano Sheets and Free Sheet Music

  
About the Song
"Blue Suede Shoes" is a rock and roll standard written and first recorded by Carl Perkins in 1955. The 12-bar blues is considered one of the first rockabilly (rock and roll) records and incorporated elements of blues, country and pop music of the time. Johnny Cash planted the seed for the song in the fall of 1955, while Perkins, Cash, Elvis Presley, and other Louisiana Hayride acts toured throughout Texas and the South. Cash told Perkins of a black airman whom he had met when serving in the military in Germany. He had referred to his military regulation air shoes as "blue suede shoes." Cash suggested that Carl write a song about the shoes. Carl replied, "I don't know anything about shoes. How can I write a song about shoes?"[1] When Perkins played a dance on December 4, 1955, he noticed a couple dancing near the stage. The girl was gorgeous, he thought, and the boy wore blue suede shoes. As.    Download this sheet!
About the Artist
Carl Lee Perkins (April 9, 1932 – January 19, 1998) was an American pioneer of rockabilly music who recorded most notably at Sun Records Studio in Memphis, Tennessee beginning in 1954. An outstanding performer, his contribution to rock and roll music is still heard to this day, especially through his fine compositions and guitar playing. His best known song is "Blue Suede Shoes." According to Charlie Daniels, "Carl Perkins' songs personified the rockabilly era, and Carl Perkins' sound personifies the rockabilly sound more so than anybody involved in it, because he never changed." [1] Perkins' songs were recorded by artists (and friends) as influential as Elvis Presley, The Beatles, and Johnny Cash, which further cemented his place in the history of popular music. Called the King of Rockabilly, he was inducted into the Rock and Roll, the Rockabilly, and the Nashville Songwriters halls of fame; and was a Grammy Hall of Fame Award recipient. "Blue Suede Shoes" is a rock and roll standard written and first recorded by Carl Perkins in 1955. The 12-bar blues is considered one of the first rockabilly (rock and roll) records and incorporated elements.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)