Piano Sheets > Shorty Rogers Sheet Music > Short Stop (ver. 1) Piano Sheet

Short Stop (ver. 1) by Shorty Rogers - Piano Sheets and Free Sheet Music

  
About the Song
   Other avaliable versions of this music sheet: Version 1  Version 2  
Piano notes and music reading No language is easy to learn except for our mother tongue. Mother tongue is a language which we start learning as soon as we are conceived. But learning some other language can be difficult if you are really not into it. Piano Notes are written in a completely different language. Agreed that the characters in the piano notes are very artistic and beautiful but they are equally strange to beginners and newcomers. But here is one interesting fact. Learning music reading from a piano notes music sheet is not a very difficult task. Actually it is much easier than learning a foreign Asian language like Chinese. Memorization and repetition are the two main ingredients for success in mastering the language of piano notes. So realistically speaking, once you are done reading the basics, all you have to do is practice the language as much as you can. To say in a very classical tone, practice till each and every note starts running through your veins. (More...)    Download this sheet!
About the Artist
Milton “Shorty” Rogers (April 14, 1924–November 7, 1994), born Milton Rajonsky in Great Barrington, Massachusetts, was one of the principal creators of West Coast jazz. He played both the trumpet and flugelhorn, and was in demand for his skills as an arranger. Rogers worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton. Rogers appeared on the 1954 Shelly Manne album The Three and the Two along with Jimmy Giuffre. Much of the music he recorded with Giuffre showed his experimental side, resulting in an early form of avant-garde jazz. He also made notable recordings with Art Pepper and Andre Previn, among others. From 1953 through 1962 Rogers recorded a series of RCA Victor albums (later reissued under the Bluebird label) and Atlantic albums with his own group, Shorty Rogers and His Giants, including Shorty Courts the Count (1954), The Swinging Mr. Rogers (1955), and Martians Come Back (1955), the album title alluding to the tune "Martians Go Home" which Rogers had composed and performed on The Swinging Mr. Rogers earlier the same year. These albums incorporated some of his more avant-garde music. To some extent they could be classified as "cool" jazz; but they also looked back to the "hot" style of Count Basie, whom Rogers always credited as a major inspiration. Credited with the composition of the music for UPA's Mr. Magoo cartoon Hotsy Footsy and the Looney Tune Three Little Bops, Rogers eventually became better known for his skills as a composer and arranger than as a trumpeter. After the early 1960s Rogers stopped performing on trumpet, and left the jazz scene for many years, although was notable for contributing episode scores for the fourth season of Starsky & Hutch. Finally, in 1982, he was persuaded to pick up his trumpet and return, playing first with Britain’s National Youth Jazz Orchestra and soon with Bud Shank and others. In the 1990s he formed a Lighthouse All Stars group along with Shank, Bill Perkins and Bob Cooper.
Random article
Piano notes and music reading No language is easy to learn except for our mother tongue. Mother tongue is a language which we start learning as soon as we are conceived. But learning some other language can be difficult if you are really not into it. Piano Notes are written in a completely different language. Agreed that the characters in the piano notes are very artistic and beautiful but they are equally strange to beginners and newcomers. But here is one interesting fact. Learning music reading from a piano notes music sheet is not a very difficult task. Actually it is much easier than learning a foreign Asian language like Chinese. Memorization and repetition are the two main ingredients for success in mastering the language of piano notes. So realistically speaking, once you are done reading the basics, all you have to do is practice the language as much as you can. To say in a very classical tone, practice till each and every note starts running through your veins. (More...)