Piano Sheets > Scott LaFaro Sheet Music > Gloria's Step (ver. 1) Piano Sheet

Gloria's Step (ver. 1) by Scott LaFaro - Piano Sheets and Free Sheet Music

  
About the Song
Piano notes and music reading No language is easy to learn except for our mother tongue. Mother tongue is a language which we start learning as soon as we are conceived. But learning some other language can be difficult if you are really not into it. Piano Notes are written in a completely different language. Agreed that the characters in the piano notes are very artistic and beautiful but they are equally strange to beginners and newcomers. But here is one interesting fact. Learning music reading from a piano notes music sheet is not a very difficult task. Actually it is much easier than learning a foreign Asian language like Chinese. Memorization and repetition are the two main ingredients for success in mastering the language of piano notes. So realistically speaking, once you are done reading the basics, all you have to do is practice the language as much as you can. To say in a very classical tone, practice till each and every note starts running through your veins. (More...)    Download this sheet!
About the Artist
Rocco Scott LaFaro (April 3, 1936 – July 6, 1961) was an influential jazz bassist, perhaps best known for his work with the Bill Evans Trio. Born in Newark, New Jersey, LaFaro grew up in a musical family (his father played in many big bands). He started on piano while in elementary school, began on the bass clarinet in junior high school, changing to tenor saxophone when he entered high school in Geneva, NY.[1] He only took up the double bass at 17[2] in the summer before he entered college, when he learned a string instrument was required for music education majors. About three months into his studies at Ithaca College in Ithaca, NY, LaFaro decided to concentrate on bass. He often played in groups at the College Spa and Joe's Restaurant [3] on State Street in downtown Ithaca. He entered college to study music but left during the early weeks of his Sophomore year, when he joined Buddy Morrow and his big band.[4] He left that organization in Los Angeles after a cross country tour and decided to try his luck in the Los Angeles music scene. There, he quickly found work and became known as one of the best of the young bassists. In 1959, after many gigs with such luminaries as Chet Baker, Percy Heath, Victor Feldman, Stan Kenton, Cal Tjader [5], and Benny Goodman, LaFaro joined Bill Evans, who had recently left the Miles Davis Sextet. It was with Evans and drummer Paul Motian that LaFaro developed and expanded the counter-melodic style that would come to characterize his playing. Ornette Coleman also collaborated with him around this time.
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Random article
Piano notes and music reading No language is easy to learn except for our mother tongue. Mother tongue is a language which we start learning as soon as we are conceived. But learning some other language can be difficult if you are really not into it. Piano Notes are written in a completely different language. Agreed that the characters in the piano notes are very artistic and beautiful but they are equally strange to beginners and newcomers. But here is one interesting fact. Learning music reading from a piano notes music sheet is not a very difficult task. Actually it is much easier than learning a foreign Asian language like Chinese. Memorization and repetition are the two main ingredients for success in mastering the language of piano notes. So realistically speaking, once you are done reading the basics, all you have to do is practice the language as much as you can. To say in a very classical tone, practice till each and every note starts running through your veins. (More...)