Piano Sheets > Miles Davis Sheet Music > Freddie Freeloader (ver. 1) Piano Sheet

Freddie Freeloader (ver. 1) by Miles Davis - Piano Sheets and Free Sheet Music

About the Song
"Freddie Freeloader" is a composition by Miles Davis and is the second track on his seminal album Kind of Blue. The piece takes the form of a twelve-bar blues in B-flat, but the chord over the final two bars of each chorus is an A-flat7, not the traditional B-flat7 followed by either F7 for a turnaround or some variation of B-flat7 for an ending. Davis employed Wynton Kelly as the pianist for this track in place of Bill Evans, as Kelly was something of a blues specialist. The solos are by Miles Davis, John Coltrane, Cannonball Adderley, and Wynton Kelly. According to the documentary Kind of Blue: Made in Heaven, the song was named after an individual named Freddie who would frequently try to see the music Davis and others performed without paying (thus freeloading). The name may have also been inspired by Red Skelton’s most famous character, "Freddie the Freeloader" the hobo.    Download this sheet!
About the Artist
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Davis was at the forefront of almost every major development in jazz from World War II to the 1990s: he played on various early bebop records and recorded one of the first cool jazz records; he was partially responsible for the development of hard bop and modal jazz, and both jazz-funk and jazz fusion arose from his work with other musicians in the late 1960s and early 1970s; and his final album blended jazz and rap. Many leading jazz musicians made their names in Davis' groups, including: Joe Zawinul, Chick Corea and Herbie Hancock, saxophonists John Coltrane, Julian "Cannonball" Adderley, Gerry Mulligan, Wayne Shorter, George Coleman, pianist Keith Jarrett, and Kenny Garrett, drummer Tony Williams and guitarist John McLaughlin. As a trumpeter, Davis had a pure, round sound but also an unusual freedom of articulation and pitch. He was known for favoring a low register and for a minimalist playing style, but was also capable of highly complex and.
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