Piano Sheets > Strangles - The Sheet Music > Golden Brown (ver. 1) Piano Sheet

Golden Brown (ver. 1) by Strangles - The - Piano Sheets and Free Sheet Music

  
About the Song
"Golden Brown" is a song by the English rock band The Stranglers. It was released as a 7" single in December 1981, on Liberty. The Stranglers are an English rock music group, formed on 11 September 1974 in Guildford, Surrey. Scoring a string of UK top ten hits, including "Golden Brown", "No More Heroes" and "Peaches" and UK top forty hits spanning four decades, the Stranglers originally built a following alongside the mid-'70s pub rock scene. Their aggressive, no-compromise attitude made them one of the instigators of the developing UK punk rock scene, although their idiosyncratic approach rarely followed any single musical genre with the group going on to explore a variety of musical styles, including punk rock, gothic rock, and new wave through to the pop of some of their '80s output. With a sound driven by Jean-Jacques Burnel's bass, but also heavily reliant on Dave Greenfield's.    Download this sheet!
About the Artist
The Stranglers are an English rock music group, formed on 11 September 1974 in Guildford, Surrey. Scoring a string of UK top ten hits, including "Golden Brown", "No More Heroes" and "Peaches" and UK top forty hits spanning four decades, the Stranglers originally built a following alongside the mid-'70s pub rock scene. Their aggressive, no-compromise attitude made them one of the instigators of the developing UK punk rock scene, although their idiosyncratic approach rarely followed any single musical genre with the group going on to explore a variety of musical styles, including punk rock, gothic rock, and new wave through to the pop of some of their '80s output. With a sound driven by Jean-Jacques Burnel's bass, but also heavily reliant on Dave Greenfield's keyboards (reminiscent at times of Ray Manzarek), when the instrument was unfashionable. The Stranglers' early music was also characterised by the growling vocals and sometimes misanthropic lyrics of both Jean-Jacques Burnel and Hugh Cornwell, but their output grew more refined and sophisticated, as critic Dave Thompson writes, "From bad-mannered yobs to purveyors of supreme pop delicacies,.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)