Piano Sheets > Patricia Kaas Sheet Music > Mon Mec Moi (ver. 1) Piano Sheet

Mon Mec Moi (ver. 1) by Patricia Kaas - Piano Sheets and Free Sheet Music

  
About the Song
"Mon mec moi" is the name of a 1987 song recorded by the French singer Patricia Kaas. It was her third single from her debut studio album, Mademoiselle chante..., on which it features as first track, and her fourth single overall. Released in November 1988, it was Kaas' first top five hit in France, which remains her best peak position on the French Singles Chart. Patricia Kaas (born December 5, 1966 in Forbach, France) is a French singer and actress. Kaas is one of the most successful French-speaking singers in the world. Stylistically her music is not classical chanson, but is closer to a mixture of pop music, jazz and chanson. Since the appearance of her debut album Mademoiselle chante in 1988 Kaas has sold over 16 million records worldwide. She had her greatest success in, e. g., Germany, Switzerland, Belgium, Canada, Russia, Finland, and Korea with her third album Je te dis vous. Kaas.    Download this sheet!
About the Artist
Patricia Kaas (born December 5, 1966 in Forbach, France) is a French singer and actress. Kaas is one of the most successful French-speaking singers in the world. Stylistically her music is not classical chanson, but is closer to a mixture of pop music, jazz and chanson. Since the appearance of her debut album Mademoiselle chante in 1988 Kaas has sold over 16 million records worldwide. She had her greatest success in, e. g., Germany, Switzerland, Belgium, Canada, Russia, Finland, and Korea with her third album Je te dis vous. Kaas is almost constantly on tour internationally. In 2002 Kaas had her film debut in And now... Ladies and Gentlemen beside Jeremy Irons. Kaas goes on a world tour in the beginning of 2009. Kaas will represent France in the Eurovision Song Contest 2009 in Moscow, Russia. "Mon mec moi" is the name of a 1987 song recorded by the French singer Patricia Kaas. It was her third single from her debut studio album, Mademoiselle chante..., on which it features as first track, and her fourth single overall. Released in November 1988, it was Kaas' first top five hit in France, which remains her best peak position on the French Singles.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)