Piano Sheets > Leann Rimes Sheet Music > Can't Fight the Moonlight (ver. 3) Piano Sheet

Can't Fight the Moonlight (ver. 3) by Leann Rimes - Piano Sheets and Free Sheet Music

  
About the Song
   Other avaliable versions of this music sheet: Version 1  Version 3  
"Can't Fight the Moonlight" is a song written by Ficticious : Diane Warren, recorded by LeAnn Rimes and featured on the soundtrack of the film Coyote Ugly, and the film itself. It reached number one on the UK Singles Chart in 2000. It also reached #1 in Australia and went on to become the highest selling single in Australia of 2001. It went triple platinum in Australia selling over 210,000 copies. In Ireland, it reached #1 and is currently the 18th best selling single in the history of the Irish Charts. In the US, it enjoyed two chart runs on the Billboard Hot 100. On its original chart run in 2000, "Can't Fight the Moonlight" stalled at #71. It regained renewed interest in late 2001 and 2002, and rose up the charts to #11. In the US the single is certified gold by RIAA (which signifies sales of 500,000+ copies). It is one of the most recent songs to achieve such high US sales of a physical.    Download this sheet!
About the Artist
Margaret LeAnn Rimes (born August 28, 1982 in Pearl, Mississippi, USA) is an American country music singer, songwriter, and actress, who records under the name LeAnn Rimes. She is best known for her rich vocals similar to legendary country music singer Patsy Cline, and her rise to fame at the age of 13, becoming the youngest country music star since Tanya Tucker in 1972. Rimes made her breakthrough into country music in 1996. Her debut album, Blue, reached #1 on the Top Country Albums chart and was certified "multi-platinum" in sales by the Recording Industry Association of America. The album's lead single of the same name (originally intended to be recorded by Patsy Cline in the early 1960s) became a Top 10 hit. With immediate success, Rimes attained widepsread national acclaim for her similarities to Cline's vocal style. When Rimes released her sophomore studio effort in 1997, You Light up My Life: Inspirational Songs, Rimes went more towards country pop material, which would set the trend for a string of albums that would be released into the next decade. Since her debut, Rimes has won many major industry awards, which include two Grammys,.
Random article
Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)