Piano Sheets > All American Rejects - The Sheet Music > It Ends Tonight (ver. 1) Piano Sheet

It Ends Tonight (ver. 1) by All American Rejects - The - Piano Sheets and Free Sheet Music

  
About the Song
"It Ends Tonight" is the third single taken from The All-American Rejects' second studio album Move Along. Contrary to their usual style, the song is a ballad. It also utilizes a string section, with an arrangement by composer Deborah Lurie. During a July 2006 airing of the PBS series Soundstage, the group revealed that the song was not written about a girl, but rather "a dude". The single peaked at #8 on the Billboard Hot 100, making "It Ends Tonight" the band's third top 20 hit. Due to the popularity of the song in the United States, sales for Move Along started to increase. It skyrocketed the album from #88 to #47 in the week of November 8th, 2006. "It Ends Tonight" was the band's highest charting single in the U.S. until early 2009, when their song "Gives You Hell" reached #4 on the Hot 100. The video premiered in the United States on August 28, 2006 on TRL. The All-American Rejects is an.    Download this sheet!
About the Artist
The All-American Rejects is an American rock band from Stillwater, Oklahoma, formed in 2001. The band comprises lead vocalist and bass guitarist Tyson Ritter, guitarists and vocalists Nick Wheeler and Mike Kennerty, with drummer Chris Gaylor. The All-American Rejects have released three studio albums in over eight years as a band. Their debut self-titled studio album, The All-American Rejects, was originally released in 2002, producing the successful single "Swing, Swing".[citation needed] The album went on to sell over one million records in the United States; being certified platinum by the RIAA. The band's second album, Move Along, brought the band more mainstream success. The album produced three hit singles; "It Ends Tonight", "Dirty Little Secret" and "Move Along". "Dirty Little Secret" and "It Ends Tonight" reached the top ten on the Billboard Hot 100, with "Move Along" peaking at number 15. "Dirty Little Secret" was also accredited platinum with one million sales in the US. The album Move Along, was certified double platinum in the US by the RIAA. The All-American Rejects' third album, When the World Comes Down, was released in late.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)