Piano Sheets > Herman Hupfeld Sheet Music > As Time Goes By (ver. 1) Piano Sheet

As Time Goes By (ver. 1) by Herman Hupfeld - Piano Sheets and Free Sheet Music

  
About the Song
   Other avaliable versions of this music sheet: Version 1  Version 2  
"As Time Goes By" is a song written by Herman Hupfeld for the 1931 Broadway musical, Everybody's Welcome. In the original show it was sung by Frances Williams. It was recorded that year by several artists, including Rudy Vallee. The song was re-introduced in 1942 in the film Casablanca, sung by Dooley Wilson. Wilson never released a single of the song because of a musicians' strike at the time of the film's release but a re-issue of Rudy Vallee's 1931 recording became a major seller in 1942. Herman Hupfeld (February 1, 1894June 8, 1951) was an American songwriter. His most notable composition was "As Time Goes By" (from the film Casablanca but this song was written in 1931 for the Broadway show "Everybody's Welcome", which ran for 139 performances). Hupfeld never wrote a whole Broadway score, but he became known as a composer who could write a song to fit a specific scene within a Broadway.    Download this sheet!
About the Artist
Herman Hupfeld (February 1, 1894June 8, 1951) was an American songwriter. His most notable composition was "As Time Goes By" (from the film Casablanca but this song was written in 1931 for the Broadway show "Everybody's Welcome", which ran for 139 performances). Hupfeld never wrote a whole Broadway score, but he became known as a composer who could write a song to fit a specific scene within a Broadway show. His best known songs include "Sing Something Simple", "Let's Put Out The Lights (And Go To Sleep)", "When Yuba Plays The Rhumba On The Tuba", "Are You Making Any Money?", "Savage Serenade", "Down the Old Back Road", "A Hut in Hoboken", "Night Owl", "Honey Ma Love", "Baby's Blue", "Untitled" and "The Calinda". While not known as a public performer, Hupfeld was featured on a Victor Young & His Orchestra 78rpm recorded on January 22, 1932. He sang and played piano on two of his compositions; "Goopy Geer (He Plays Piano And He Plays By Ear)" and "Down The Old Back Road" (Brunswick 6251). According to Roger D. Kinkle in his excellent "The Complete Encyclopedia of Popular Music and Jazz 1900-1950" (Arlington House, 1974), Hupfeld studied.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)