Piano Sheets > Full Moon Wo Sagashite Sheet Music > Love Chronicle (ver. 1) Piano Sheet

Love Chronicle (ver. 1) by Full Moon Wo Sagashite - Piano Sheets and Free Sheet Music

  
About the Song
Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)    Download this sheet!
About the Artist
The plot summary in this article is too long or detailed compared to the rest of the content. Please edit the article to focus on discussing the work rather than merely reiterating the plot. (December 2008) Full Moon o Sagashite Cover of the first volume of the English release of Full Moon o Sagashite ??????? (Furu Mun o Sagashite) Genre Magical girl, Romance, Supernatural Manga Author Arina Tanemura Publisher Flag of Japan Shueisha English publisher Flag of the United States Flag of Canada Viz Media Flag of Australia Flag of New Zealand Madman Entertainment [show]Other publishers: Flag of France Flag of Spain Glnat Flag of Germany Egmont Manga and Anime Flag of South Korea Seoul Publish Flag of Thailand Bongkoch Comics Flag of Indonesia M&C Comics Flag of Mexico Grupo Editorial Vid Flag of Vietnam TVM Comics Flag of Italy Planet Manga Demographic Shojo Magazine Ribon Original run January 2002 June 2004 Volumes 7 TV anime Director Toshiyuki Kato Studio Flag of Japan Studio Deen Licensor Flag of the United States Viz Media Network Flag of Japan TV Tokyo [show]Other networks: Flag of South Korea Tooniverse Flag of the Republic of China Momo Kids Original run April 06, 2002 March 29, 2003 Episodes 52 OVA: Cute Cute Adventure Director Bob Shirahata Studio Studio Deen Episodes 1 Released November 2002 Runtime 10 minutes Anime and Manga Portal Full Moon o Sagashite (??????? ,Furu Mun o Sagashite?, lit. "Searching for the Full Moon") is a Japanese shojo manga by Arina Tanemura. According to the furigana, the kanji ?? in the title are read furu mun ("full moon") and not mangetsu or mitsuki, the Japanese words for the full moon. In North America, the series is published as Full Moon, although the full title is given on the front cover. The manga was published by Shueisha in the magazine Ribon from January 2002 to June 2004 and collected in seven tankobon volumes. The manga is published in North America in English by Viz Media. The series was adapted as an anime television series produced by Nihon Ad Systems, which ended before the manga was completed, plus an OVA distributed with an issue of Ribon. The series was broadcast on TV Tokyo, where it enjoyed high ratings,[citation needed] and is also licensed in North America by Viz Media.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)