Piano Sheets > Joseph Kosma Sheet Music > Autumn Leaves (ver. 2) Piano Sheet

Autumn Leaves (ver. 2) by Joseph Kosma - Piano Sheets and Free Sheet Music

  
About the Song
   Other avaliable versions of this music sheet: Version 1  Version 2  
"Autumn Leaves" is a much-recorded popular song. Originally a 1945 French song "Les feuilles mortes" (literally "The Dead Leaves") with music by Joseph Kosma and lyrics by poet Jacques Prévert, the American songwriter Johnny Mercer wrote English lyrics in 1947. Jo Stafford was among the first to perform this version. Autumn Leaves became a pop standard and a jazz standard in both languages, both as an instrumental and with a singer. Yves Montand introduced "Les feuilles mortes" in 1946 for the film Les Portes de la Nuit. French singer Edith Piaf rendered both French and English versions of this song on the radio program "The Big Show," December 24, 1950. [1] The film Autumn Leaves (1956) starring Joan Crawford featured the song, as sung by Nat King Cole over the title sequence. The French songwriter Serge Gainsbourg paid tribute to this song in his own song "La chanson de Prévert".[2] It.    Download this sheet!
About the Artist
Joseph Kosma (October 22, 1905 – August 7, 1969) was a Hungarian-French composer, of Jewish background. Kosma was born József Kozma in Budapest, where his parents taught stenography and typing. He had a brother, Akos. A maternal relative was the photographer László Moholy-Nagy, and another relative was the conductor Georg Solti. He started to play the piano at age 5, and later took piano lessons. At the age of 11, he wrote his first opera, Christmas in the Trenches. After completing his education at the Gymnasium Franz-Josef, he attended the Academy of Music in Budapest, where he studied with Leo Weiner. He also studied with Béla Bartók at the Liszt Academy. He earned diplomas in composition and conducting. He won a grant to study in Berlin in 1928. There, he met Lilli Apel, another musician, whom he later married. Kosma also met and studied with Hanns Eisler in Berlin. He also became acquainted with Bertolt Brecht and Helene Weigel. Kosma and his wife emigrated to Paris in 1933. Eventually, he met Jacques Prévert, who introduced him to Jean Renoir. During World War II and the Occupation of France, Kosma was placed under.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)