Piano Sheets > Red Hot Chili Peppers Sheet Music > Around The World (ver. 1) Piano Sheet

Around The World (ver. 1) by Red Hot Chili Peppers - Piano Sheets and Free Sheet Music

  
About the Song
"Around the World" is a song by Red Hot Chili Peppers released as the second single from their 1999 album Californication. The single peaked at number seven on the Billboard Modern Rock Tracks and number sixteen on the Mainstream Rock Tracks.In 2007, the song was also heavily edited and used as a new soundtrack for the California Screamin' ride at the Disneyland Resort, as part of their "Rockin' Both Parks" campaign. Red Hot Chili Peppers are a Grammy Award-winning American rock band formed in Los Angeles, California, in 1983. For most of the band's existence, the members are vocalist Anthony Kiedis, guitarist John Frusciante, bassist Michael "Flea" Balzary, and drummer Chad Smith. The band's varied musical style has fused traditional rock and funk with various elements of punk rock, and psychedelic rock. In addition to Kiedis and Flea, the group originally featured guitarist Hillel Slovak and.    Download this sheet!
About the Artist
Red Hot Chili Peppers are a Grammy Award-winning American rock band formed in Los Angeles, California, in 1983. For most of the band's existence, the members are vocalist Anthony Kiedis, guitarist John Frusciante, bassist Michael "Flea" Balzary, and drummer Chad Smith. The band's varied musical style has fused traditional rock and funk with various elements of punk rock, and psychedelic rock. In addition to Kiedis and Flea, the group originally featured guitarist Hillel Slovak and drummer Jack Irons. Slovak, however, died of a heroin overdose in 1988, resulting in Irons departure. Irons was replaced briefly by former Dead Kennedys drummer D. H. Peligro before the band found a permanent replacement in Smith, while Slovak was replaced by up-and-coming guitarist Frusciante. This lineup recorded the band's fourth and fifth albums, Mother's Milk (1989) and Blood Sugar Sex Magik (1991). Blood Sugar Sex Magik became an extremely significant record for the band; it thrust them into mainstream success with over thirteen million copies sold. Frusciante grew uncomfortable with this new found success and left abruptly in the middle of the tour for the album.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)