Piano Sheets > Bing Crosby Sheet Music > MacNamara's Band (ver. 1) Piano Sheet

MacNamara's Band (ver. 1) by Bing Crosby - Piano Sheets and Free Sheet Music

About the Song
McNamara's Band is the title of a popular song recorded in late 1945 by the singer Bing Crosby. It is the tongue-in-cheek story of a small Irish band penned by the song writing team of O'Connor and Stanford. Released on Decca Records in early 1946, the song became a top-ten hit for Crosby. It's still one of Crosby's most popular songs and is sung loudly and often at St. Patrick's Day celebrations in the United States and Ireland. The tale is based on an actual band, the St. Mary's Fife and Drum Band , formed in Limerick, Ireland in 1885. In the late 1800s the band featured four brothers, Patrick, John, Michael and Thomas McNamara, and became famous for playing shows all across Ireland. In the early 1900s Patrick and Thomas emigrated to the United States and formed the "McNamara's Band" with Patrick "Patsy" Salmon, another Limerick emigre. After Salmon left the group Patrick and Thomas formed.    Download this sheet!
About the Artist
Harry Lillis "Bing" Crosby (May 3, 1903 – October 14, 1977) was an American popular singer and actor whose career stretched over more than half a century from 1926 until his death. One of the first multimedia stars, from 1934 to 1954 Bing Crosby held a nearly unrivaled command of record sales, radio ratings and motion picture grosses. Widely recognized as one of the most popular musical acts in history, Crosby is also credited as being the major inspiration for most of the male singers of the era that followed him, including Frank Sinatra, Perry Como, and Dean Martin. Yank magazine recognized Crosby as the person who had done the most for American G.I. morale during World War II and, during his peak years, around 1948, polls declared him the "most admired man alive," ahead of Jackie Robinson and Pope Pius XII. Also during 1948, the Music Digest estimated that Crosby recordings filled more than half of the 80,000 weekly hours allocated to recorded radio music. Crosby exerted an important influence on the development of the postwar recording industry. In 1947, he invested $50,000 in the Ampex company, which developed North America's first.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)