Piano Sheets > Joe Garland Sheet Music > In The Mood (ver. 1) Piano Sheet

In The Mood (ver. 1) by Joe Garland - Piano Sheets and Free Sheet Music

  
About the Song
"In the Mood" is a song popularized by the American bandleader Glenn Miller in 1939, and one of the best-known arrangements of the big band era. Miller's rendition topped the charts one year later and was featured in the 1941 movie Sun Valley Serenade. The song is an anomaly to chart purists. "In The Mood" was released in the period immediately prior to the inception of retail sales charts in Billboard magazine. While it led the Record Buying Guide (jukebox list) for 13 weeks, it never made the top 15 on the sheet music charts, which were considered by many to be the true measure of popular song success. The popular Your Hit Parade program ranked the song no higher than ninth place, for one week only (1940). It opens with a now-famous sax section theme, and is joined by trumpets and trombones after 13 counts. It has two main solo sections; a "tenor fight" solo—in the most famous.    Download this sheet!
About the Artist
Joseph Copeland "Joe" Garland (Aug. 15, 1903, Norfolk, Virginia - April 21, 1977, Teaneck, New Jersey) was an American jazz saxophonist, composer, and arranger, best known for writing "In the Mood". Garland studied music at Shaw University and the Aeolian Conservatory. He started by playing classical music but joined a jazz band, Graham Jackson's Seminole Syncopators, in 1924, where he first recorded. He had a long run of associations as a sideman on saxophone and clarinet, with Elmer Snowden (1925), Joe Steele, Henri Saparo, Leon Abbey (including a tour of South America), Charlie Skeete and Jelly Roll Morton in the 1920s. The 1930s saw him playing with Bobby Neal (1931) and the Mills Blue Rhythm Band; he was both a performer and an arranger for the Blue Rhythm Band from 1932 to 1936, when Lucky Millinder replaced him. Following this he played with Edgar Hayes (1937), Don Redman (1938), and Louis Armstrong (1939-42). In the 1940s he played with Claude Hopkins and others, and then returned to Armstrong's band from 1945-47. Following this he played with Herbie Fields, Hopkins again, and Earl Hines (1948). In the 1950s, he went into.
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