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American Idiot (ver. 1) by Billie Joe - Piano Sheets and Free Sheet Music

  
About the Song
American Idiot is the seventh studio album by the American punk rock band Green Day. It was co-produced with longterm collaborator Rob Cavallo and released on September 21, 2004 through Reprise Records. In mid-2003, the band began recording songs for an album titled Cigarettes and Valentines. However, the master tracks were lost and the band decided to start over rather than re-record Cigarettes and Valentines. They decided to produce a rock opera, inspired by the work of The Who and numerous musicals. It follows the life of "Jesus of Suburbia", a sort of anti-hero created by Billie Joe Armstrong. Following early recording at Oakland, California's Studio 880, the band finished the album in Los Angeles. The album achieved popularity worldwide, charting in 26 countries and reaching number one in nineteen of them, including the United States and the United Kingdom. Since its release, American.    Download this sheet!
About the Artist
Billie Joe Armstrong (born February 17, 1972) is the lead vocalist, main lyricist and guitarist for the alternative rock band Green Day. He is also a guitarist and vocalist for the punk rock band Pinhead Gunpowder and sings for garage rock band Foxboro Hot Tubs. He was the lead singer for new wave group The Network. Billie Joe Armstrong was born in Oakland, California and was raised in Rodeo, California, (a town 24 miles north of Oakland), as the youngest of six children. His father, Andy Armstrong, worked as a drummer and truck driver for Safeway to support the family. He died of cancer on September 10, 1982 when Armstrong was 10. The song "Wake Me Up When September Ends", is a memorial to his father. He has five older siblings: David, Alan, Marci, Hollie, and Anna. His mother Ollie worked at Rod's Hickory Pit. Armstrong and Mike Dirnt got their first gig at Rod's Hickory Pit during their early years. Armstrong's interest in music started at a young age. He attended Oakland's Hillcrest Elementary School, where a teacher encouraged him to record a song titled "Look For Love" at the age of five on the Bay Area label "Fiat Records". After his father.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)