Piano Sheets > Horace Silver Sheet Music > Song for My Father (ver. 2) Piano Sheet

Song for My Father (ver. 2) by Horace Silver - Piano Sheets and Free Sheet Music

  
About the Song
   Other avaliable versions of this music sheet: Version 1  Version 2  
Song for My Father is a 1964 album by the Horace Silver Quintet, released on the Blue Note label. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silver, to whom the title song was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin. He was born on the island of Maio, one of the Cape Verde Islands" (Horace Silver, quoted in Leonard Feather's original liner notes) A jazz standard, "Song for My Father" is here in its original form. It is a Bossa Nova in F-minor with an AAB head. On the head, a trumpet and tenor saxophone play in harmony. The song has had a noticeable impact in pop music. The opening bass piano notes were borrowed by Steely Dan for their song "Rikki Don't Lose That Number", while the opening horn riff was borrowed by Stevie Wonder for his song "Don't You.    Download this sheet!
About the Artist
Horace Silver (born September 2, 1928), born Horace Ward Martin Tavares Silva[1] in Norwalk, Connecticut, is an American jazz pianist and composer. His father, who was known as John Tavares Silva, was from the island of Maio in Cape Verde. His mother was born in New Canaan, Connecticut and was of Irish-African descent. Silver is known for his distinctive humorous and funky playing style and for his pioneering compositional contributions to hard bop. Silver was influenced by a wide range of musical styles, notably gospel music, African music, and Latin American music and sometimes ventured into the soul jazz genre. Silver began his career as a tenor saxophonist but later switched to piano. His tenor saxophone playing was highly influenced by Lester Young, and his piano style by Bud Powell. Silver was discovered in the Sundown Club in Hartford, Connecticut in 1950 by saxophonist Stan Getz. Getz was playing at the club with Silver’s trio backing him up. Getz liked Silver’s band and brought them on the road, eventually recording three of Silver’s compositions. It was Getz with whom Silver made his recording debut. He moved to New.
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