Piano Sheets > Steve Swallow Sheet Music > Muddy In The Bank (ver. 1) Piano Sheet

Muddy In The Bank (ver. 1) by Steve Swallow - Piano Sheets and Free Sheet Music

  
About the Song
Piano notes and music reading No language is easy to learn except for our mother tongue. Mother tongue is a language which we start learning as soon as we are conceived. But learning some other language can be difficult if you are really not into it. Piano Notes are written in a completely different language. Agreed that the characters in the piano notes are very artistic and beautiful but they are equally strange to beginners and newcomers. But here is one interesting fact. Learning music reading from a piano notes music sheet is not a very difficult task. Actually it is much easier than learning a foreign Asian language like Chinese. Memorization and repetition are the two main ingredients for success in mastering the language of piano notes. So realistically speaking, once you are done reading the basics, all you have to do is practice the language as much as you can. To say in a very classical tone, practice till each and every note starts running through your veins. (More...)    Download this sheet!
About the Artist
Steve Swallow (born October 4, 1940) is a jazz bass guitarist and composer born in Fair Lawn, New Jersey. As a child, Swallow studied piano and trumpet before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. In 1960 he left Yale, where he was studying composition, and settled in New York City, playing at the time in Jimmy Giuffre's trio along with Paul Bley. Since joining Art Farmer's quartet in 1964, Swallow began to write. It is in the 1960s that his long-term association with Gary Burton's various bands began. In the early 1970s, Swallow switched exclusively to bass guitar, of which he prefers the 5-string variety. Along with Bob Cranshaw, Swallow was among the first jazz bassists to do so (with much encouragement from Roy Haynes, Swallow's favorite drummer). He plays with a pick (made of copper by Hotlicks), and his style involves intricate solos in the upper register; he was one of the early adopters of the high C string on a bass guitar. In 1974-76 Swallow taught at the Berklee College of Music. It is often speculated that he had an influence on the contents of The Real Book, which includes a fair number of his early compositions. He later recorded an album of the same name, with the picture of a well-worn, coffee-stained Real Book on the cover. In 1978 Swallow became an essential and constant member of Carla Bley's band. He toured extensively with John Scofield in the early 1980s, and had returned to this collaboration several times over the years. Swallow had consistently won the electric bass category in Down Beat yearly polls, both Critics' and Readers', since the mid-80s. His compositions have been covered by, among others, Jim Hall (who recorded his very first tune, "Eiderdown"), Bill Evans, Chick Corea, Stan Getz and Gary Burton.
Random article
Piano notes and music reading No language is easy to learn except for our mother tongue. Mother tongue is a language which we start learning as soon as we are conceived. But learning some other language can be difficult if you are really not into it. Piano Notes are written in a completely different language. Agreed that the characters in the piano notes are very artistic and beautiful but they are equally strange to beginners and newcomers. But here is one interesting fact. Learning music reading from a piano notes music sheet is not a very difficult task. Actually it is much easier than learning a foreign Asian language like Chinese. Memorization and repetition are the two main ingredients for success in mastering the language of piano notes. So realistically speaking, once you are done reading the basics, all you have to do is practice the language as much as you can. To say in a very classical tone, practice till each and every note starts running through your veins. (More...)