Piano Sheets > Karl Suessdorf Sheet Music > Moonlight In Vermont (ver. 1) Piano Sheet

Moonlight In Vermont (ver. 1) by Karl Suessdorf - Piano Sheets and Free Sheet Music

  
About the Song
"Moonlight in Vermont" is a popular song about the U.S. state of Vermont, written by John Blackburn and Karl Suessdorf and published in 1943. The lyrics are very unusual for an American pop song of the 1940s, because they do not rhyme and are impersonal, focusing mostly on the sensory appeal of the Vermont countryside while alluding briefly to romance. The lyrics are also metrically subtle—each verse (not counting the bridge) is a haiku. The song is considered an unofficial state song of Vermont and is frequently played as the first dance song at Vermont wedding receptions. An early version was recorded by Margaret Whiting in 1943. The song was also recorded by Jo Stafford in 1946, Willie Nelson in 1978, Ella Fitzgerald and Louis Armstrong in 1956, Earl Grant in 1961 and Frank Sinatra in 1957. Captain Beefheart recorded a song called "Moonlight on Vermont" for his album Trout Mask.    Download this sheet!
About the Artist
Karl Suessdorf, born 28 April 1921 - died 1982, Riverside, California, was a composer best known for his collaboration with lyricist John Blackburn in composing the jazz standard "Moonlight in Vermont", which was first recorded in 1943 by Billy Butterfield's Orchestra featuring Margaret Whiting. He also wrote "I Wish I Knew" and "Susquehanna" with Blackburn. Suessdorf co-wrote "Christmas Madonna" and "Coral Sea" with lyrics by Nick Cea; "Key Largo" (sung by Marian McPartland) and "She Doesn't Laugh Like You" with Benny Carter and Leah Worth; and a 1949 hit for Perry Como, "Did Anyone Ever Tell You, Mrs. Murphy?", with lyrics by Leah Worth and Lloyd Sloan. Apart from the many other performers who have recorded Suessdorf's compositions, including Billie Holiday and Frank Sinatra, Sarah Vaughan's compilation album Music of the Stars, Volume 2: Songs Recorded by Sarah Vaughan includes both "Key Largo" and "Moonlight in Vermont". "Moonlight in Vermont" is a popular song about the U.S. state of Vermont, written by John Blackburn and Karl Suessdorf and published in 1943. The lyrics are very unusual for an American pop song of the 1940s, because they do not.
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Sheet Music - Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music. Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening. Authoritative musical information about a piece can be gained by studying the written sketches and early versions of compositions that the composer might have retained, as well as the final autograph score and personal markings on proofs and printed scores. Comprehending sheet music requires a special form of literacy: the ability to read musical notation. Nevertheless, an ability to read or write music is not a requirement to compose music. Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation—as long as an amanuensis of some sort is available. Examples include the blind 18th-century composer John Stanley and the 20th-century composers and lyricists Lionel Bart, Irving Berlin and Paul McCartney. The skill of sight reading is the ability of a musician to perform an unfamiliar work of music upon viewing the sheet music for the first time. Sight reading ability is expected of professional musicians and serious amateurs who play classical music and related forms. An even more refined skill is the ability to look at a new piece of music and hear most or all of the sounds (melodies, harmonies, timbres, etc.) in one's head without having to play the piece. With the exception of solo performances, where memorization is expected, classical musicians ordinarily have the sheet music at hand when performing. In jazz music, which is mostly improvised, sheet music—called a lead sheet in this context—is used to give basic indications of melodies, chord changes, and arrangements. Handwritten or printed music is less important in other traditions of musical practice, however. Although much popular music is published in notation of some sort, it is quite common for people to learn a piece by ear. This is also the case in most forms of western folk music, where songs and dances are passed down by oral—and aural—tradition. Music of other cultures, both folk and classical, is often transmitted orally, though some non-western cultures developed their own forms of musical notation and sheet music as well. Although sheet music is often thought of as being a platform for new music and an aid to composition (i.e., the composer writes the music down), it can also serve as a visual record of music that already exists. Scholars and others have made transcriptions of western and non-western musics so as to render them in readable form for study, analysis, and re-creative performance. This has been done not only with folk or traditional music (e.g., Bartók's volumes of Magyar and Romanian folk music), but also with sound recordings of improvisations by musicians (e.g., jazz piano) and performances that may only partially be based on notation. An exhaustive example of the latter in recent times is the collection The Beatles: Complete Scores (London: Wise Publications, c1993), which seeks to transcribe into staves and tablature all the songs as recorded by the Beatles in instrumental and vocal detail. (More...)