"Climb Ev'ry Mountain" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Here it is sung at the close of the first act by the Mother Abbess. It is themed as an inspirational piece, to encourage people to take every step towards attaining one's dreams.
This song shares inspirational overtones with the song You'll Never Walk Alone from Carousel. They are both sung by the earth mother characters in the shows, and are used to give strength to the protagonists in the story, and both are given powerful reprises at the end of their respective shows. However, as Oscar Hammerstein II was writing the lyrics, it developed its own inspirational overtones along the lines of an earlier Hammerstein song, There's a Hill Beyond a Hill. He felt that the metaphors of climbing mountains and fording streams better fitted Maria's quest for her spiritual compass. However, the muse behind the song was Sister Gregory, the head of Drama at Rosary College in Illinois. The letters that she sent to Hammerstein and to Mary Martin, the first Maria von Trapp on Broadway, described the parallels between a nun's choice for a religious life and the choices that humans must make to find their purpose and direction in life. When she read the manuscript of the lyrics, she confessed that it "drove [her] to the Chapel" because the lyrics conveyed a "yearning that ordinary souls feel but cannot communicate".
Although this song has parallels with You'll Never Walk Alone, the song shares musical similarities with the song Something Wonderful from The King and I. Both songs are played at a similar broad tempo, and both songs have accompaniments punctuated by heavy chords in the orchestral score.
Originally, the Mother Abbess sings the song at the end of the first act, but when Ernest Lehman wrote the screenplay for the film adaptation, he shifted the scene so that this song would be the first major song of the second act. When Robert Wise and his film crew were filming this scene, Peggy Wood had some reservations about the words, which she felt were too "pretentious". So they filmed Peggy Wood in silhouette, against the wall of the set for the Mother Abbess' office. However, Peggy Wood's singing voice is ghosted by Marjorie McKay, the wife of the rehearsal pianist Harper McKay, as Ms. Wood wasn't able to sing the high notes of the song.
Tony Bennett had a very minor hit in 1960 with his recording of the song.
Download this sheet!
